The Lady Actress

Where to buy: Amazon; Barnes & Noble; Bookfinder; IndieBound; Createspace (10% off code: ZMUUFLZV); eBook format; More options.

The Lady Actress (ISBN: 0615262503)
by Kelly S. Taylor, Ph.D.

“Anna Cora Mowatt Ritchie, a mid-nineteenth century American author, public reader, playwright and actress, was a well-known and respected figure among her contemporaries in American literary and dramatic circles. Despite this, she is largely forgotten to modern theater lovers. In her day, she played to packed theaters and could number Edgar Allen Poe, David Henry Thoreau, and Ralph Waldo Emerson among her fans. Oral Interpretation scholars have called her the first “lady” elocutionist because she was the first female to enter the career of public reader without a previous career on the stage. In 1989, John Gentile, writing a history of prominent solo performers, credited her, along with famed actresses Fanny Kemble and Charlotte Cushman, with bringing to solo performance a level of prestige previously unknown in America. He claimed that they, as respectable women in a traditionally disrespected career, brought a respectability and an acceptance that allowed women of a later age to enjoy professional platform careers.1 Her brief career as a public reader inspired many imitators.”
Read Chapter 1: FASHIONED LADY: THE LIFE AND MANY CAREERS OF ANNA CORA MOWATT

Where to buy: Amazon (eligible for free shipping), and Createspace – use this code: ZMUUFLZV at checkout for 10% off.

Posted in Uncategorized | Leave a comment

Anna Cora now on Nooks!

The Lady Actress: ePub; Kindle; Nook.

Posted in News and Reviews | Leave a comment

The Lady Actress reviewed at Dragon Views

“While the main text is fairly well written, and consistently interesting, some of the transitions between Mrs. Taylor’s text and excerpts of Mrs. Mowatt-Ritchie’s text are not as smooth as could be desired, yet those transitions were not jarring enough to dissuade an interested reader from continuing. This is one book I had a very hard time putting down. It has made me want to locate copies of Mrs. Mowatt-Ritchie’s works to read for myself.”
The Lady Actress, review by Lady Dragoness, Amazon, May 15, 2011 (and at Dragon Views)

Posted in Reviews | Leave a comment

New review

“The Lady Actress is a well-researched analysis of the writings, orations, and dramatic performances of Victorian Era actress Anna Cora Mowatt (1819-1870). The author skillfully places this under-appreciated trail blazer’s life and works within the sexist and repressive period in which Mowatt lived. The result is a concise presentation of Victorian Era judgement and nuance and the amazing ability Mowatt had for turning these apparent limitations into strengths in order to pursue her craft.”
nanajlove, LibraryThing, February 25, 2011

See all LibraryThing reviews

Posted in News and Reviews | Leave a comment

The Lady Actress review at Amazon

“Women wielding pens was much a much more uncommon thing. ‘The Lady Actress: Recovering the Lost Legacy of a Victorian American Superstar’ is a biography of Anna Cora Mowatt, telling the story of one of the first American playwrights, who got her start in the middle of the nineteenth century. Independent yet traditional, her life was an intriguing duality of the emerging role of the women during her era. An intriguing look at society and the arts through one woman, “The Lady Actress” is a choice pick, highly recommended.”
The Lady Actress review at Amazon, October 8, 2010

Posted in Reviews | Leave a comment

Kelly S. Taylor interview at IndieSpotlight

Tell us about your book:

“I’m the author of The Lady Actress: Recovering the Lost Legacy of a Victorian American Superstar. It’s a book about the life and career of Anna Cora Mowatt, a person who was rather famous during her lifetime and is almost completely unknown now. She was the first woman to author a hit comedy on Broadway. She had successful careers as a public reader, an actress, a novelist, and a poet as well. Mowatt, the daughter of wealthy New York family, skillfully and tenaciously held on to her status as a person respectable enough to be received in high society while arm-deep in what was considered a to be a very depraved profession. In those days, actress were generally assumed to double as prostitutes. Although there were accomplished theatrical professionals like Fanny Kemble and Charlotte Cushman who were greatly admired by even the most stuffy, moneyed, Victorian Americans, rank and file female performers were considered vulgar, possibly criminal personages. A proper pre-Civil War parent of any income bracket would look on the announcement that their daughter had decided to become an actress much the same way a contemporary parent react to their child saying, ‘Mom, Dad, I’m dropping out of college and becoming a stripper!’”
Kelly S. Taylor interview at IndieSpotlight, October 1, 2010

Posted in News and Reviews | Leave a comment

Anna Cora Mowatt essay by John Cline

As stated in the text (The Lady Actress), actors and actresses were viewed as low and common person (2). Notable scholars commented freely on how the American public did not seem to accept theatrical expectations as proper. Actors and actresses alike were thought to be of low moral character, free-spirited and drunkards. Another scholar, Clara Morris, retorted that actors were not taken seriously because they were “buffoons” (p. 3). Because of this negative stereotype, actors were seen as having no social standing. To add to this chagrin, actors and actresses were also openly ridiculed in religious setting by figures such as Reverand Robert Hatfield, who declared the theater the “haunt of sinners” (p. 4).
Continue reading

Posted in Essays | Leave a comment

Anna Cora Mowatt essay by Tim Matyjewicz

Poetry was considered “proper” for Victorian ladies because of the societal limitations placed on women during the Victorian period. Emotions were considered to be the opposite of logic and rationality. For men, the expectation was to be completely logical and rational in their lives in order to facilitate the ordinary fixed workings of the world. More than this, men were considered to be “hardwired” as purely logical and mechanically thinking according to the Victorian mindset. Women, on the other hand, were presumed to be emotional and excitable. Just as men were viewed as being “hardwired” as rigidly mechanical in their thinking, so too were women viewed as being emotional and, as a result, somewhat frivolous and certainly less valuable and significant.
Continue reading

Posted in Essays | Leave a comment

Dr. Taylor interviewed at SellingBooks.com

“I think that when we read and write history, we look for people and events who, with a few minor costume changes, could step into the world we live in and speak to problems we face today. Mowatt remains stubbornly in her curls and crinolines. I’m not saying she isn’t relevant. Her polite rebellion against the arrogantly puritanical snobbery of her peers probably did as much to change attitudes about women in the workplace as a hundred street corner speeches by a multitude would-be Susan B. Anthonys did. However, she was not a character from “Sex in the City” who magically found herself transported to 1855. She was a real Victorian who whose views don’t comfortably translate to the modern mind. She was an insider who liked being an insider. She was a privileged, white, conservative lady who decided to do something with her life that privileged, white, conservative ladies just did not do at that time — and she made that choice work with success that was nothing short of remarkable.”
Kelly S. Taylor, Ph.D. interview at SellingBooks.com

Posted in News and Reviews | Leave a comment

Anna Cora Mowatt essay by Damla Ricks

Women were criticized and looked down on for following a career in acting. Mowatt, Kemble and Cushman tried many different performance styles and found what worked best for them. All three women connected acting, reading and performing to entertain and educate their audience.
Continue reading

Posted in Essays | Leave a comment

Anna Cora Mowatt essay by Heather Scofield

A Fine-Tuned Persona = Success

During the Victorian Age women were viewed as porcelain dolls; fragile and delicate creatures who were incapable of engaging in intellectual discussion. Anna Cora Mowatt; however, was unique in that she used her rhetorical skills to subliminally convince her audience that she (a woman) was deserving of her own autobiography as both an intellect and a virtuous Victorian woman. In the following essay I will delve into the reasons why first person narratives by Victorian female authors were considered inappropriate, how Mowatt overcame these prejudices, and the strategies that she utilized in order to develop an accepted persona.
Continue reading

Posted in Essays | Leave a comment